Subtitle Agora
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You might be tempted to post your Facebook video without subtitles at all. After all, adding subtitles is an extra step. However, your video will get far more views when it has accurate and readable subtitles.
You are ready to get started on the actual subtitles for Facebook videos! (You might also want to consider adding polls or tracking depending on the goals for the video, but these items are less universal.)
If you have an image-only video, however, and want to add the subtitles for extra explanation, this may work well for you. This may also be a good option for a very long video if a transcript has been made for other reasons.
Once you click Auto-Generate, it may take a couple of minutes for Facebook to create the subtitles. When it is done, it will show you the golden checkmark. Click on the pencil to open up the editing screen.
If you want to keep the subtitles that you just created, you will have to either embed the video or share a direct link to the video itself. Make sure to click on the post, so you get the link to the video specifically. If you are using the link, you can schedule it using a tool like Agorapulse just like you would any other link.
I have implemented video call functionality using agora sdk. I would like to know if there is a feature where i can see real time subtitling like microsoft cognitive services or a translation feature for real time subtitling. Even if there is a lag its fine. How do it do it
Inclusivity at EducationSubtitle : Voice to text and sign, Video in subtitle playing with sign languageAuthoring through typing Text to Voice and feeds in subtitle (above point)Multiple sign language support
The first Agora Europe was held at Paris 1 in May. This second agora will be an occasion to talk about the future of Europe, and to discuss the potential of each European nation to shape the European political space. It is not intended as a purely academic exercise, but aims to be open to everyone. Each speaker will then talk about the European Union as a political and not merely economic union. The ensuing debate will address migration as the central theme. As an agora, the participation of the audience is essential. For more info, please refer to the event website, and to the article in openDemocracy.
Click the download link we provided below for the subtitle, it will refer you to a page where you will get available all language with different qualities. Click on the title you need and get it on your file manager.
There are many types of websites on the Internet that publish subtitles in different languages. We will help you find the index of Agora 2009 subtitle through our website. The subtitle you download from here is basically a zip file. Inside this zip file, you will find an SRT file which you need to add to the player where you play any media.
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Languages Available in: The download links above has Agora (Ágora)subtitles in Arabic, Bengali, Big 5 Code, Brazillian Portuguese, Danish, Dutch, English, Farsi Persian, Finnish, French, German, Greek, Icelandic, Indonesian, Italian, Korean, Norwegian, Polish, Portuguese, Romanian, Serbian, Spanish, Swedish, Thai, Turkish, Ukranian, Urdu, Vietnamese Languages.
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The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire. The title of the film takes its name from the agora, a public gathering place in ancient Greece, similar to the Roman forum. The film was produced by Fernando Bovaira and shot on the island of Malta from March to June 2008. Justin Pollard, co-author of The Rise and Fall of Alexandria (2007), was the historical adviser for the film.
Athenian Agora XIV 280 pp, 57 figs, 112 pls 9\" x 12\" Cloth, ISBN: 978-0-87661-214-9Publication Date: Nov 1972Status: Out of PrintVIEW ONLINEDescription:The subtitle, The History, Shape and Uses of an Ancient City Center, suggests the general character of this volume, which provides an overview of the area that served as the civic center of Athens from about 600 B.C. to A.D. 267. After a general resumé of the historical development of the Agora, the monuments are treated in detail, grouped by their use and purpose. Each monument is discussed in the light of both the literary and the archaeological evidence for its identification and its restoration. In the light of the topographical conclusions the route of Pausanias is traced. A chapter entitled \"After the Heruli\" follows the fortunes of the area from A.D. 267 till the 19th century; the last century is treated in the detailed report of the excavations up to 1971. This is a definitive survey of the historical and topographical results of 40 years of American excavations in the Athenian Agora.
The subtitle says it all: this book is about 'humour,' defined as 'what we find funny.' But 'funny' includes more than just 'humour.' I have always found useful Norwood's (Greek Comedy) distinction concerning the incongruous: when the intellect is the function employed, wit results; when it is the imagination, fun results; when it is the emotions, humour results. And it is humour, especially humour of character, that dominates this book. Imagination (the wonderful fantasies of Old Comedy and Lucian) does not get much attention, although to be fair the authors do cite briefly the mock-epic Battle of the Frogs & Mice and quote at length Apuleius's marvellous episode of Lucius and the wine-skins (Metamorphoses 2.31-3.10). Nor is there much about the iambic tradition, either of the early poets (surely Archilochus should loom large in a study of ancient humour) or of to onomasti komoidein (to make fun of by name in comedy).
N2 - This article is a testimony and self-reflection of the experience of the occupation of the Syntagma square in Athens, and of its evolution, during the summer of 2011. It provides ethnographic as well as political insights from a participants point of view, ranging from the molecular to the symbolic levels and from discourses and practices of linguistics to violence as they were debated in the squares' assemblies and other parallel processes. It's main argument is that through the act of occupation the square is recuperated and its role as an open democratic Agora (instead of a market-place - in Greek agora too) is reinstated.
AB - This article is a testimony and self-reflection of the experience of the occupation of the Syntagma square in Athens, and of its evolution, during the summer of 2011. It provides ethnographic as well as political insights from a participants point of view, ranging from the molecular to the symbolic levels and from discourses and practices of linguistics to violence as they were debated in the squares' assemblies and other parallel processes. It's main argument is that through the act of occupation the square is recuperated and its role as an open democratic Agora (instead of a market-place - in Greek agora too) is reinstated.
Tickets for each individual film are available on Eventbrite and are listed below as part of the schedule. If the films are sold out, there will still be some seats available in addition to seats freed up before the screenings. Eventbrite ticket holders and others: Please arrive at least ten minutes early to secure seating. Note that though many trailers do not have English subtitles, all of the films will be subtitled. 59ce067264
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